Wednesday, October 17, 2012

American Beauty review

American Beauty (1999)

Cast: Kevin Spacey, Annette Bening, Chris Cooper, Thora Birch, Mena Suvari, Wes Bentley
Director: Sam Mendes

How about a film, whose leading protagonist is neither a good looking kick ass hero nor a genius whom the world admires? Leave that, the protagonist here is not even a role model for his own family, but is abhorred by him and is a somewhat defeated person, with no spark left in him and in severe midlife crisis? Can such a film be both a classic and a box office sensation?
Is it a comedy, drama, satire , thriller, skin flick , fantasy or a moral tale?
Maybe all of the above.

The events are narrated by the deceased Lester Burnham (Kevin Spacey), who tells the story of the last year of his life. “In less than a year, I’ll be dead. And in a way, I’m dead already”, he begins. Whacking off in the shower is his “highlight of the day”. Outwardly appearing as living an ideal suburban life, 42 year old Lester’s life is anything but ideal. Stuck in a dead end advertising job for the last 15 years, he is a literal punching bag for  his materialistic and pretentious wife Carolyn (Annette Bening), who has shunned him both emotionally and physically,  and finds no place in his introvert daughter Jane’s (Thora Birch) life, who hates both her parents. Carolyn abhors him for his lowly prospects and Jane thinks that he is just disgusting.

Lester is one day asked to write a self appraisal to show his utility for the company. This makes Carolyn’s behaviour even more insulting towards him. Suddenly, Lester’s world is turned upside down when he sees Jane’s extrovert and flashy friend Angela (Mena Suvari) during Jane’s cheerleading performance and instantly begins lusting after her. Angela soon becomes aware of this and cruelly encourages him.

A new family has moves next door, that of the retired Colonel Frank Fitts (Chris Cooper), a homophobic  disciplinarian with a traumatized wife and a psychologically disturbed son Vicky (Wes Bentley), whose weird hobby includes filming everything. Unknown to his family, Ricky makes a living as  a marijuana seller . He becomes infatuated with Jane and begins stalking her  and filming her without her knowledge, and she is secretly pleased that someone is attracted to her. He soon becomes friends with Lester, who becomes his regular client.  Lester’s attraction of Angela has somehow made him a confident and outspoken person who doesn’t care about Carolyn’s opinions anymore. He beings smoking pot and works out regularly. He even trades his Toyota Camry for a 1970 Pontiac Firebird.

 On one particular day, three big events happen which determine the fate of the film’s characters. Lester, fuelled by his newly acquired confident personality, quits his job after blackmailing his company for a year’s salary with benefits (he knows about a director availing escort service with company’s funds), and joins as an attendant at a drive in restaurant to have a job with the least possible responsibilities. Carolyn starts an affair with her professional rival Buddy Kane (Peter Gallagher)  . Ricky and Jane begin a relationship.
 Lester finally stands upto  Carolyn for the first time in his life, when she berates him for losing his job. He knows that all his attempts to find any place in the lives of either his wife or daughter are useless and the least he can do is have a happy life for himself.

Spoiler

The second half of the film covers the last day of Lester’s life.
He and Angela flirt with each other much to Jane’s disgust. He signals to Ricky to call him  (for marijuana delivery) as he leaves for his job which catches Frank’s eye. He decides to investigate by searching Ricky’s room, and finds the video of a nude Lester working out in Ricky’s camcorder (which Ricky had accidentally filmed days earlier due to his obsession of filming Jane) and deduces that his son is a  homosexual (he mistakenly has been suspecting Lester being a homosexual as well because he has seen him jogging with a neighbourhood gay couple).  Carolyn and Buddy  drive into the same drive in restaurant where Lester works, and he coolly serves them even after catching the two red handed. Carolyn is  severely hurt by Lester’s indifference than the fact that she has been caught in the act. Buddy promptly breaks off the relationship, leaving Carolyn distraught. She is shown to load her gun while driving back home.

Back home, Lester calls Ricky as his marijuana has run out. Frank  spies on them through the window and mistakes their meeting for a sexual encounter. When Ricky returns, he beats him up severely and demands an explanation. Ricky, already sick of his overbearing father, lies to him that he works as a prostitute which causes Frank to throw him out of the house. Ricky goes to Lester’s house and asks Jane to leave with him and she readily agrees. Angela who is present there tries to discourage her and both Ricky and Jane shout her down.  

Frank visits Lester and asks him about his wife’s whereabouts. He replies that she’s probably with her boyfriend and he doesn’t care  as his marriage is just a sham. This reply turns Frank’s doubts into certainty. Suddenly, he kisses Lester, thereby revealing that his homophobic personality is a mere cover for his true self. Lester pulls him off and Frank leaves without another word.

Lester finds an upset Angela crying on the stairs. She asks him to tell her she is beautiful. He does, and they kiss. His dream of having the object of his desire is almost complete when Angela reveals that she is nothing like her projected slutty image and is actually a virgin. Lester suddenly sees her as a daughter and realizes that he has been wrong in lusting after her. He embraces her like a child, comforts her and the pair bond over their shared frustrations. He is pleased to know from her that Jane is in love. Angela then excuses herself to the restroom leaving a content Lester, whose life has now come to a full circle. He feels no remorse but only gladness at spurning the object of his desire. He picks up a family photograph of everyone together and gazes contently into it. A barrel of a gun appears behind his head as the camera moves away. A shot is heard and his blood is splattered on the wall. Ricky and Jane come down from their room and find Lester’s body in a pool of blood.

Lester in a final voiceover says that all his life has flashed before him at the moment of his death. (The reaction of the each of the rest of the characters is shown, when the shot rings out. Angela startled on hearing the gunshot, Carolyn devastated, and Frank changing his blood splattered  shirt, revealed to be the killer). His dying thoughts revolve around his childhood memories, Carolyn and Jane. He feels no regrets and finds it hard to be angry with what happened with him when there is so much beauty in the world. He is grateful for every moment of his short and stupid life. He concludes by saying that the viewers may not understand a word that he’s saying, but someday they will.

 Spoiler end

Look closer , the film’s caption says. Everything is not what it appears to be. The Burnham’s house is full of smiling and happy family photographs but the atmosphere in the house is anything but that. The prosperous looking neighbourhood is eerily silent, whether it be the sorrowful atmosphere in the Burnham household or  macabre in the Fritts one. Beneath the smiling faces, there is just pretentiousness or insecurity. Everyone practically lives life as a lie. Spoiler Carolyn’s fake self esteem is just a cover to hide her dissatisfaction and hate for her job. Frank’s homophobia is a cover to hide his own homosexual tendencies. Angela’s dirty talk and loose image is just a pathetic attempt by her to be seen as a glam doll. Jane while projecting herself to be aloof suffers from low self esteem and feels jealous of the extrovert Angela. The only person content and happy in the end is Lester, inspite of his life’s journey coming to a cruel and abrupt end. Spoiler end

The false image of  of happy suburbian middle class life in America (or anywhere else) lies shattered, and the film serves as an attempt to state life’s meaning, as a person’s wish to break free out of a mundane, materialistic existence , or simply that there is more to life than material stuff  or status symbols  like a particular job or social standing.

The film was the biggest hit of the year, raking in almost 2400% ROI. Sam Mendes couldn’t have asked for a better debut in Hollywood, with his film sweeping all the major awards, including five Oscars, best director for him, Best Actor for Kevin Spacey and best film. His direction is flawless, as he peels away the pompous layers of each character to reveal their vulnerable selves. He uses symbols like rose petals to depict Lester’s sexual fantasies of Angela or rain to show impending death. It simply isn’t meant for family viewing, like most great films ,and also stands out for the fact that it doesn’t patronize any character in it , trying to manipulate the viewer into backing him or her. Everyone is right from his/her point of view, and everyone faces the consequences of their actions. The script is great for not giving the film a forced happy ending, in order to give the real message of the film- Ultimate freedom comes at an ultimate price.

Among the cast,the film belongs to Kevin Spacey. As Lester Burnham, he has portrayed beautifully the very vulnerable and a very ordinary person prone to weakness and temptation, but yet remains a good human being who only wants  a more dignified and fulfilling life. Whats remarkable is that the role of Lester Burnham came to him after it was turned down by various bigger actors of 1990s, John Travolta and Bruce Willis being among the names.  Today with his Hollywood career shattered due to sexual harassment allegation claims, but that will never take away what he did in this role.
 Annette Bening is excellent as the materialistic and superfluous Carolyn who’s become a bot focussed on motivational tapes, expensive sofas and sales targets, and who in fact is a much sorrier figure than Lester. Chris Cooper is brilliant as the pathetically rigid and hypocrite Frank Fritts. Mena Suvari, Thora Birch and Wes Bentley are good in their roles and sadly couldn’t build on their success from this film.
There is beauty all over this film. Watch. And look closer.


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